TNT Theater’s Tour Will Visit Tianjin, Shenzhen, Guangzhou, Beijing, Ningbo, Hangzhou And Xi’an
TNT's past staging of "Oliver Twist" was a big hit in Beijing
It seems that cultural exchanges between China and the rest of the world are becoming increasingly commonplace, with large-scale events like Carnegie Hall’s “Ancient Paths, Modern Voices” festivals in New York and Orange County, the “Experience China in Israel” event in Tel Aviv giving foreign audiences a chance to see a cultural cross-section. Over the past few years in China, foreign cultural organizations and groups have made regular trips to the country to give Chinese audiences a chance to do the same. The most recent of these cultural exchanges, a staging of Shakespeare’s “Romeo and Juliet” performed by Britain’s TNT Theater, began its seven-city tour of China this week, and is set to perform the play throughout the country until November 29. From Xinhua:
Cui Yang, general manager of the Beijing-based Milky Way Arts and Communications Co., Ltd, the play’s importer, said the new version featured a cappella (singing without instrumental accompaniment) and live score which was specially commissioned for the play.
According to Cui, all the sound effects in the drama were created by human voices instead of being pre-recorded.
The TNT Theater, founded in 1980, has been distinguished for its simple stage decoration, strong British style and cross-gender performances. It has previously won the acclaim of Chinese audience with dramas such as Charles Dickens’ “Oliver Twist” and Shakespeare’s “Hamlet”.
In the run-up to next year’s Shanghai’s World Expo, and certainly in its aftermath, we should see a great deal more cultural exchange going on both inside and outside China, as more foreign audiences look to learn about China’s ancient and modern cultures, and Chinese audiences look to learn more about important global and historical trends.
Posted in Art, China, Chinese Art, Culture
Tagged Art, arts, beijing, carnegie hall, China, chinese, Culture, guangzhou, hangzhou, israel, New York, ningbo, oliver twist, performance, production, romeo and juliet, shakespeare, shenzhen, theater, theatre, tianjin, xi'an
Festival Will Bring Together Performing And Visual Arts, Music, And Film
Several top contemporary Chinese artists like Yue Minjun will be featured during Carnegie Hall's Ancient Paths, Modern Voices" festival later this month
This month is shaping up to be pretty exciting for China-watchers in Orange County, California and New York City, as Carnegie Hall presents a new festival celebrating Chinese culture, “Ancient Paths, Modern Voices.” Scheduled for both cities are a number of performances by top Chinese musicians, film screenings, contemporary Chinese art exhibitions and more. The festivals will take place from October 11 to November 24 in Orange County and from October 21–November 10 in New York. From a release:
“The immemorial culture of China has made itself felt throughout the world for many centuries-but its influence today is arguably more widespread, and more directly present, than at any other time in history,” stated Dean Corey, President and Artistic Director of the Philharmonic Society of Orange County. “That is the source of the richness and excitement of Ancient Paths, Modern Voices. The festival presents extraordinary expressions of the most venerable Chinese artistic traditions, then brings them into the here and now. This is Chinese culture in all its variety, from the deepest roots to the greenest branches.”
In New York, a number of partner organizations across the city will take part in the three-week festival, contributing venues as well as experts in the field of Chinese performing arts:
Posted in Art, China, Chinese Art, Culture, Museums
Tagged ancient paths modern voices, arario gallery, Art, art exhibition, aw asia, california, carnegie hall, chambers fine art, China, chinasquare, chinese contemporary art, chinese film, chinese music, contemporary chinese art, exhibition, festival, film, goedhuis contemporary, lang lang, max protetch, New York, ny, nyc, orange county, qi zhilong, stux gallery, sun xun, tan dun, wu man, yo yo ma, yue minjun
Forum Provides Opportunity For Western, Chinese Collectors, Curators And Artists Come Together To Discuss Future Of Art Collecting In China
Western and Chinese experts discussed a wide range of important issues in art collecting at the Global Collecting Forum in Beijing (Photo: CRI)
Although the last few years have seen the rapid rise of the New Chinese Collector of contemporary Chinese art, the relatively late arrival of Chinese collectors means that the vast majority of major works of contemporary Chinese art remain in the collections of Western art collectors (such as the former Swiss diplomat-turned-prolific collector Uli Sigg, who owns around 2,000 pieces) or Western art museums and galleries. Although buying trends are changing, as more Chinese collectors and curators start to bolster their collections and diversify the artwork they acquire, one of the unique challenges that art lovers in China must face is the dearth of contemporary Chinese artwork available for view in their local museums and galleries.
With these issues — the underdevelopment of Chinese art museums and the growing interest in private art collection in China — in mind, this weekend the Global Collecting Forum was held at Beijing’s Reignwood Theater. The forum brought together a number of prominent Western and Chinese art collectors, museum curators, gallery owners and artists, whose work was shown at an exhibition which included pieces by prominent Chinese artists like Cai Guoqiang, Xu Bing, Liu Xiaodong and Wang Guangyi. According to Cultural China:
[Chinese writer-filmmaker Sun Shuyun], who was a guest at last year’s ISD forum, has met some of the world’s best-known art collectors and museum directors there. But she was somehow left with the impression that many of these “leaders of art collecting actually knew very little about Chinese art.”
The situation is expected to improve as this year’s forum brings over 30 leading art experts from Europe, the United States and Russia to meet with their Asian counterparts in the Chinese capital. Those set to show up include Baroness Kennedy QC, a trustee of the British Museum; Alexandra Monroe, senior curator at the Guggenheim Museum; and Derek Gillman, director of the US-based Barnes Foundation, a top collector of Post-Impressionist paintings.
Posted in Art, auction, Business, China, Chinese Art, Culture, Investment, Museums
Tagged Art, art collecting, artist, barnes foundation, beijing, british museum, cai guo-qiang, cai guoqiang, CCA, China, Chinese Art, chinese contemporary art, conference, contemporary art, global collecting forum, guggenheim, met, metropolitan museum, New York, reignwood theatre, russia, xu bing
Excerpts Of Chinese Art Blog Artron’s Interview With Zhang Xiaogang Shed Light On His New Exhibition, “The Records”
Zhang Xiaogang feels the art environment in Beijing is worlds away from that of New York
We recently profiled Chinese contemporary artist Zhang Xiaogang’s new exhibition in Beijing, which breaks dramatically from his earlier work by incorporating sculpture and mixed media pieces. Last week, China-based art site Artron (Ya Chang Art Network) sat down with Zhang to discuss the new direction his art is taking, and the ways that the rapidly-shifting Chinese culture affects his creative process as well as his views of the American and Chinese art worlds.
Ya Chang Art Network: What’s the basic idea behind this new exhibition?
Zhang Xiaogang: Actually, the idea is basically to “revise” a continuing exhibition. But this idea is one that I’ve paid pretty close attention to for several years, like I have with topics related to “memory.” The people’s lives are changing quickly, so now we’re facing our memory and our memory loss, which all results in a number of psychological reactions associated with these and other matters. So it seems that by creating pieces concerned with memory — since our lives are changing so fast, resulting in a constant loss of our memory and nostalgia, which begins at a very young age — it all comes back to how I was always concerned with the idea of memory, an idea that has concerned me even more in recent years.
In the past a series regarding “memory and starting to remember,” then a series about “inside and outside”, later became “amendment” in my new works — the new works are a deeper continuation of the old works. I hope to continue this theme, to a relatively deep degree, to see if there are any other possibilities. This is the basic idea [of this exhibition].
Posted in Art, auction, Business, China, Chinese Art, Culture
Tagged america, Art, bing lin, canvas, China, chinese, chinese contemporary art, contemporary art, installation, New York, oil painting, pace beijing, pace gallery, pace new york, painting, zhang xiaogang
Astronomical Prices Paid For Historical And Quality Pieces In Recent Asian Auctions Defies Global Economic Woes As More Chinese Collectors Get In The Game
Since good works by historical artists like Yue Minjun are becoming more scarce, Chinese collectors are expected to continue to flex their muscles in upcoming auctions of Chinese contemporary art
Hardly any industry has escaped the global economic slowdown unscathed, and art is no exception, but recent auction results indicate that the art market — or at least pockets of the art market — are coming back to life. As the Wall Street Journal reports today, in some recent auctions some pieces have sold for exponentially more than their estimates, surprising collectors and market analysts alike. The common bond shared by most of these pieces? They were Chinese — or, if not Chinese, Asian:
Last week, the longest string of Asian art sales since the Zodiac clock dispute was held in the U.S.—and amid the most entrenched art-market recession in nearly two decades, the auction prices of many more than a handful of pieces went through the roof. At the Sotheby’s sale of works from the collection of Arthur M. Sackler, for example, the auctioneer sang out fast-rising numbers, first in English, then Chinese, as if he were rising in the elevator of some fantastically tall Hong Kong skyscraper.
The emergence of the New Chinese Collector is a subject we’ve followed pretty much since our inception, and is a subject that is endlessly fascinating simply because it’s such a new phenomenon. While, technically, Chinese people have collected art for a few thousand years — with the exception of a few Mao-era decades where the practice was virtually nonexistent but for a few elite art lovers here and there — the New Chinese Collector has only existed for around 20 years, and arguably even less than that. This collector base was out in full force in recent auctions of Chinese and other Asian art — in New York, London and Hong Kong — and the motivation, desire and intensity of the Chinese collector is becoming somewhat legendary right before our eyes.
Posted in Art, auction, Business, China, Chinese Art, Culture, Economy, Investment, Museums
Tagged ai weiwei, alexandra peers, art collectors, asia, asia week, asian, bronze, China, chinese, Chinese Art, chinese art collectors, chinese contemporary art, collector, contemporary chinese art, east asia, Economics, globalization, hai bo, hong kong, Investment, j. paul getty museum, London, Luxury, moma, new chinese collector, New York, phillips de pury, qing dynasty, sackler, sotheby's, wall street journal, wealth, yue minjun, zhou dynasty, zodiac
American Retailer Looking To Target Lucrative (And Still-Growing) Chinese Tourist Market?
Is Macy's going to push for more brand recognition among Chinese shoppers?
For years, American retailer Macy’s has adopted several strategies to entice foreign tourists to spend more at its flagship location in New York’s Herald Square, from discount cards for international shoppers to promotions tied to free coupon books. As the global financial crisis bit down on New York tourism in the last year, there are signs that stores like Macy’s may be looking abroad to markets they have never before targeted specifically, namely China, where the number of tourists traveling overseas has skyrocketed in the last 20 years. Cities like New York, where travelers from places like mainland China tend to spend most of their time shopping, are expected to benefit the most from the oncoming wave of Chinese tourists, and since the relaxation of some travel restrictions last year, a noticeable rise in Chinese tourists has already been noted in New York — where Chinese spend an average of $2,200 each, making them the city’s most profligate foreign tourists.
With its size, midtown location and historical pedigree, Macy’s has always appealed to foreign tourists looking for a “New York shopping experience” (or those who just want to take advantage of a comparatively weak dollar to stock up on clothes). If Macy’s truly wants to target the Chinese market, and get a larger slice of the Chinese tourist dollar, they would be well advised to learn a few cultural particularities about Chinese tourists:
1.) Chinese travelers love giveaways…and will go out of their way to get them
Posted in China, Culture, Luxury
Tagged bus, China, chinese, ferrari, gray line, gucci, guidebooks, louis vuitton, Luxury, macy's, manhattan, midtown, New York, porsche, prada, shopping, sightseeing, tour groups, tour guides, tourism, tourists
Fashion Brand Sees Potential To Broaden Foothold In Lucrative, Yet Challenging Fashion Market
Ralph Lauren's sole free-standing location in China is located in Shanghai's luxury Jin Jiang Dickson Center. The company plans to branch out very rapidly in coming years
Wing-Gar Cheng writes for Bloomberg today that American retailer Ralph Lauren hopes to open 15 new stores in China annually in coming years. While the signature Ralph Lauren style has been adapted — or “copied”, depending who you ask — by brands with a long-time presence in China, like South Korea’s E-Land (not to mention counterfeiters throughout the country), the number of free-standing Ralph Lauren locations has remained limited. With the global demand for higher-end items remaining relatively anemic in the North American, Japanese, and European markets — despite improvements — China, with the high potential of its second- and third-tier cities, remains a sought-after target by mid- to higher-range fashion brands like Ralph Lauren.
As Cheng writes, rapid expansion in China is not simply driven by idealism. There is a great deal of untapped potential throughout the underserved mainland, well illustrated by a quote by George Hrdina, president of Ralph Lauren’s Asian business, who said, “We do more Ralph Lauren business on the island of Manhattan, New York, than we do in Hong Kong and China.” Clearly, adding 15 stores per year is less unrealistic than it may initially sound.
Posted in Business, China, Culture, Fashion, Investment, Luxury
Tagged bloomberg, China, chinese, Fashion, hong kong, Luxury, LV, LVMH, mainland china, New York, polo, ralph lauren, wing-gar cheng