Tag Archives: Art

Global Collecting Forum Held In Beijing

Forum Provides Opportunity For Western, Chinese Collectors, Curators And Artists Come Together To Discuss Future Of Art Collecting In China

Western and Chinese experts discussed a wide range of important issues in art collecting at the Global Collecting Forum in Beijing (Photo: CRI)

Western and Chinese experts discussed a wide range of important issues in art collecting at the Global Collecting Forum in Beijing (Photo: CRI)

Although the last few years have seen the rapid rise of the New Chinese Collector of contemporary Chinese art, the relatively late arrival of Chinese collectors means that the vast majority of major works of contemporary Chinese art remain in the collections of Western art collectors (such as the former Swiss diplomat-turned-prolific collector Uli Sigg, who owns around 2,000 pieces) or Western art museums and galleries. Although buying trends are changing, as more Chinese collectors and curators start to bolster their collections and diversify the artwork they acquire, one of the unique challenges that art lovers in China must face is the dearth of contemporary Chinese artwork available for view in their local museums and galleries.

With these issues — the underdevelopment of Chinese art museums and the growing interest in private art collection in China — in mind, this weekend the Global Collecting Forum was held at Beijing’s Reignwood Theater. The forum brought together a number of prominent Western and Chinese art collectors, museum curators, gallery owners and artists, whose work was shown at an exhibition which included pieces by prominent Chinese artists like Cai Guoqiang, Xu Bing, Liu Xiaodong and Wang Guangyi. According to Cultural China:

[Chinese writer-filmmaker Sun Shuyun], who was a guest at last year’s ISD forum, has met some of the world’s best-known art collectors and museum directors there. But she was somehow left with the impression that many of these “leaders of art collecting actually knew very little about Chinese art.”

The situation is expected to improve as this year’s forum brings over 30 leading art experts from Europe, the United States and Russia to meet with their Asian counterparts in the Chinese capital. Those set to show up include Baroness Kennedy QC, a trustee of the British Museum; Alexandra Monroe, senior curator at the Guggenheim Museum; and Derek Gillman, director of the US-based Barnes Foundation, a top collector of Post-Impressionist paintings.

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Preview: ‘China Design Now’ Show In Portland

Exhibition From London’s Victoria and Albert Museum Puts Contemporary Chinese Design Front And Center

"China Design Now" is an excellent introduction to the world of contemporary Chinese design and visual arts

"China Design Now" is an excellent introduction to the world of contemporary Chinese design and visual arts

Over the last 30 years — but mainly in the last 10 — Chinese contemporary design has roared to life, leading to unique and culturally resonant architecture and striking visual arts. Beginning this week, this vibrant design will be on full display at the Portland Art Museum‘s “China Design Now” exhibition in Portland, Oregon, giving visitors a glimpse of China’s rapidly shifting design industries while providing them a good cross-section of the tectonic cultural shifts that have awakened that country’s creative energy in the 21st century.

From The Oregonian:

“China Design Now” will hurl visitors into the here and now of contemporary China, with all of its huge-scale cultural energy. The giant isn’t sleeping anymore. It’s wide awake and roaring. And “China Design Now” attempts to nail down the elusive contemporary moment of this restlessly moving target.

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Ferrari Collaborates With Chinese Artist Lu Hao On Exclusive “Ferrari 599 GTB Fiorano China”

Paint Work Takes Inspiration From Song Dynasty Porcelain

Lu Hao's one-off Ferrari incorporates many Chinese elements, from the jade start button to the cracked porcelain paint scheme

Lu Hao's one-off Ferrari incorporates many Chinese elements, from the jade start button to the cracked porcelain paint scheme

To build greater brand equity and strike a chord in the Chinese market, many companies have been known to create limited-edition “China only” versions of their products inspired by Chinese culture or history. Today, Ferrari announced its collaboration with the Chinese contemporary artist Lu Hao — “well known for his models of Beijing, his playfulness with architecture and geographical images in rapidly evolving modern China” (ArtZine) —  on a one-of-a-kind China edition of the 599 GTB Fiorano (the regular model will be limited to a run of about 12 in China). The one-off edition by Lu will be auctioned off at a charity function in Beijing later this month.

Lu’s Ferrari features a unique trompe-l’œil paint job incorporating the faint green hue and distinctive cracked pattern of Ge Kiln porcelain from China’s Song Dynasty (AD 960-1279), but some of the most fascinating elements of the “China” edition are in the car’s interior. From Auto Express:

The China edition of Ferrari's 599 GTB Fiorano features ancient Chinese accents

The China edition of Ferrari's 599 GTB Fiorano features ancient Chinese accents

The ignition button is carved from jade and insribed with the ancient Xiao Zhuan symbols for ‘engine start’, while other novel additions include a rev-counter marked with Chinese characters, a matching luggage set embroided with the route of the silk road – traditionally the most important trade routes in China – and an engraved plaque unique to each car.

Interview With Chinese Contemporary Artist Zhang Xiaogang: Recording the “Relics of Life”

Excerpts Of Chinese Art Blog Artron’s Interview With Zhang Xiaogang Shed Light On His New Exhibition, “The Records”

Zhang Xiaogang feels the art environment in Beijing is worlds away from that of New York

Zhang Xiaogang feels the art environment in Beijing is worlds away from that of New York

We recently profiled Chinese contemporary artist Zhang Xiaogang’s new exhibition in Beijing, which breaks dramatically from his earlier work by incorporating sculpture and mixed media pieces. Last week, China-based art site Artron (Ya Chang Art Network) sat down with Zhang to discuss the new direction his art is taking, and the ways that the rapidly-shifting Chinese culture affects his creative process as well as his views of the American and Chinese art worlds. 

Ya Chang Art Network: What’s the basic idea behind this new exhibition? 

Zhang Xiaogang: Actually, the idea is basically to “revise” a continuing exhibition. But this idea is one that I’ve paid pretty close attention to for several years, like I have with topics related to “memory.” The people’s lives are changing quickly, so now we’re facing our memory and our memory loss, which all results in a number of psychological reactions associated with these and other matters. So it seems that by creating pieces concerned with memory — since our lives are changing so fast, resulting in a constant loss of our memory and nostalgia, which begins at a very young age — it all comes back to how I was always concerned with the idea of memory, an idea that has concerned me even more in recent years. 

In the past a series regarding “memory and starting to remember,” then a series about “inside and outside”, later became “amendment” in my new works — the new works are a deeper continuation of the old works. I hope to continue this theme, to a relatively deep degree, to see if there are any other possibilities. This is the basic idea [of this exhibition].

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Art Market Confidence Index Shows 75% Of HK Auction Respondents In The Mood To Buy

As Hong Kong “Stirs From Slumber” And Buyer Confidence Remains High In China, What Can We Expect To See Next Week?

Zeng Fanzhi is one of the historical Chinese contemporary artists up for auction in Hong Kong next week

Zeng Fanzhi is one of the historical Chinese contemporary artists up for auction in Hong Kong next week

We’ve been interested in the upcoming Hong Kong Sotheby’s auctions of Contemporary Chinese, Southeast Asian and other Asian art, with a particularly obvious fixation on the Chinese side, for some time. After the surprising turnout of mainland Chinese, and their willingness to go far above and beyond lot estimates to take home something they’ve set their hearts on, Sotheby’s is likely expecting a good proportion of bidders both from the mainland and other areas of Greater China — definitely Hong Kong, since buyers from that market have been something of a fixture at Chinese art auctions for ages. And while the unpredictable nature of art auctions makes it difficult to forecast how next week’s auctions turn out (although total revenue estimates for all of the Hong Kong auctions are close to US$100 million), many people are excited and motivated to buy some high-quality, historical art.

One thing that makes the auction of contemporary Chinese art even more interesting to me on a personal level is the way it will coincide with “Golden Week,” a week of celebrations coinciding with both Chinese National Day and the Mid-Autumn Festival. If last year’s turnout was any indication, Golden Week could draw well over a million mainlanders to Hong Kong this year, most of whom are coming to the city either to shop for expensive objects or eat and drink for days. While Golden Week, on its own, really shouldn’t affect the Sotheby’s sale too much, it is within the realm of possibility that some of the shopping-mad mainlanders might be shipping a Yue Minjun or Liu Ye painting home along with their boxes of luxury goods.

Another reason I’m excited about the Hong Kong sales next week is because of this article, published today by Art Market Insight, which is bullish on the article because of the comparatively fast re-emergence of Hong Kong following the global economic crisis:

Once again, Sotheby’s is weighting its sale in favour of the Contemporary segment (Contemporary Asian Art) which carries the richest of the three catalogues with 190 lots and a total revenue estimate of $12.5m. In order to re-kindle interest amongst its biggest clients, the auctioneer has built a catalogue of very attractive signatures. Among the star lots: a powder drawing by CAI Guoqiang , Money net NO.2, estimated at HKD 4.7m – 5.5m, ($606,000 – $710,000), several paintings by YUE Minjun , including Hats series – The lovers expected to generate around $400,000 (estimated HKD 2.8m – 3.5m), three paintings from the famous Chinese Portrait series by FENG Zhengjie including a superb contemporary Amazon (4 x 3 metres) estimated at $100,000 – $130,000 (HKD 800,000 – 1m). A very similar monumental portrait fetched $133,000 in June 2009 (Phillips de Pury & Company, London, £81,000).

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BBC: “Art & Politics In China”

The BBC has posted a great slideshow on the intersection of art and politics in China from 1949 to the present day, looking at the remarkable transition of art in China over the last 60 years from social realism and propaganda of the 1960s to the internationalized contemporary Chinese art of today.

See the slideshow here.

Chinese Auction Buyers Find “Treasures For The Taking”

High Proportion Of New Chinese Collectors Boosting Sales As Economic Mood Remains Relatively Tepid In More Mature Markets

Up for auction in Hong Kong on October 6: Ai Weiwei's “A Gift from Beijing (set of three works)”

Up for auction in Hong Kong on October 6: Ai Weiwei's “A Gift from Beijing (set of three works)”

Next week, Sotheby’s will hold one of the most anticipated auctions of the season, its autumn auction of contemporary Chinese and other Asian art, in Hong Kong. For this closely-watched sale, the location is no coincidence. According to recent stories in the New York Times, Wall Street Journal, Bloomberg, The Economist and dozens of art blogs, mainland Chinese buyers have rapidly become one of the fastest-growing buyer and collector groups in the world. Considering art collection was virtually nonexistent for much of the last 60 years in China (and probably significantly longer than that), many newly wealthy Chinese are taking advantage of the readjustment in prices of pretty much anything up for grabs at auction to bring home everything from Chinese antiquities to contemporary art by living artists.

Whether they are doing this more for personal reasons (decorating their house while holding on to something of great financial value which is expected to grow along with the Chinese yuan) or for patriotic reasons remains to be known. My assumption is that there is a little bit of both involved.

In the run-up to the October 6 auction in Hong Kong, a spate of auctions of Chinese art have taken place over the past few weeks, with Chinese bidders going far beyond the estimates and shocking many observers. The new Chinese collector has, in many ways, signaled his arrival by the manner in which he’s seemed completely impervious to either the global economic slowdown or auction trends, and is quickly building a reputation as willing to spend, brash, motivated and savvy.

This week, on Economist.com, the Chinese collector’s knack for repatriating Chinese art is examined, with the writer concluding that auctions — as a buyer’s game — are all about who brings the money and who’s willing to spend it. At recent auctions (and, I would have to assume, future auctions) many of these individuals are mainland Chinese:

Anyone who believes the art market has been felled by the financial crisis should have been in New York earlier this month for the seasonal auctions of Chinese bronzes, furniture and ceramics. The salerooms at Sotheby’s and Christie’s were overflowing with bidders, more than three-quarters of them from Hong Kong, mainland China and Taiwan. Extra Mandarin-speakers, all of them fluent and young, had been taken on specially to handle additional telephone bidding from Asia.