Category Archives: Culture

Carnegie Hall’s ‘Ancient Paths, Modern Voices’ Festival Comes To Orange County, CA & NYC

Festival Will Bring Together Performing And Visual Arts, Music, And Film

Several top contemporary Chinese artists like Yue Minjun will be featured during Carnegie Hall's Ancient Paths, Modern Voices" festival later this month

Several top contemporary Chinese artists like Yue Minjun will be featured during Carnegie Hall's Ancient Paths, Modern Voices" festival later this month

This month is shaping up to be pretty exciting for China-watchers in Orange County, California and New York City, as Carnegie Hall presents a new festival celebrating Chinese culture, “Ancient Paths, Modern Voices.” Scheduled for both cities are a number of performances by top Chinese musicians, film screenings, contemporary Chinese art exhibitions and more. The festivals will take place from October 11 to November 24 in Orange County and from October 21–November 10 in New York. From a release:

“The immemorial culture of China has made itself felt throughout the world for many centuries-but its influence today is arguably more widespread, and more directly present, than at any other time in history,” stated Dean Corey, President and Artistic Director of the Philharmonic Society of Orange County. “That is the source of the richness and excitement of Ancient Paths, Modern Voices. The festival presents extraordinary expressions of the most venerable Chinese artistic traditions, then brings them into the here and now. This is Chinese culture in all its variety, from the deepest roots to the greenest branches.”

In New York, a number of partner organizations across the city will take part in the three-week festival, contributing venues as well as experts in the field of Chinese performing arts:

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Chinese Filmmaker Huang Jianxin to Head Asia Pacific Screen Awards

Producer/Director Appointed As President Of International Jury, To Be Held On Australia’s Gold Coast

Huang Jianxin is considered one of China's premier filmmakers, having established his reputation over the last 20 years

Huang Jianxin is considered one of China's premier filmmakers, having established his reputation over the last 20 years

Chinese filmmaker Huang Jianxin (The Black Cannon Incident, Transmigration), fresh off the huge domestic success of his blockbuster The Founding of a Republic, has been appointed President of the International Jury for the third annual Asia Pacific Screen Awards. The awards will be held on Australia’s Gold Coast on November 26. One of China’s elite group of “Fifth Generation” filmmakers — alongside juggernauts like Zhang Yimou and Chen Kaige — Huang has won more than 60 domestic and international awards over the last 20 years and is widely considered one of his country’s most influential producers and directors.

From a news release:

[APSA Chairman Des Power said,] “China’s films are renowned for the way in which they express their culture and their rich and informative history and in a year when China celebrates the 60th anniversary of the founding of the People’s Republic of China, it is timely that a Chinese filmmaker presides over our International Jury.”

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Chinese Art Critic Li Xianting: Collecting Chinese Contemporary Art Is A Kind Of “Cultural Creation”

“Godfather Of Chinese Contemporary Art” Advocates Collections Develop To Ensure Art Can Be Seen In China

"The Godfather of Chinese contemporary art," Li Xianting (Photo: ArtZine China)

"The Godfather of Chinese contemporary art," Li Xianting (Photo: ArtZine China)

At recent events like the Global Collecting Forum and the Songzhuang Art Festival’s Conference of Collectors of Chinese Contemporary Art, a major topic of discussion among Chinese scholars and art critics has been the need for Chinese collectors of contemporary art (and Chinese museums and galleries) to acquire more top-quality pieces while educating the public on the history, subject matter, figures and current state of Chinese contemporary art.

At the Songzhuang Festival, Chinese art critic Li Xianting — who has been called the “Godfather of Chinese Contemporary Art” — gave a speech in which he said collecting Chinese contemporary art is a form of “cultural creation” which requires the urgent attention of Chinese collectors. Since the breakout of Chinese contemporary art in the late 1970s and its development over the years, the majority of major works of art have been acquired by Western collectors, and although that is changing gradually as Chinese buyers amass their own collections, Li still sees disequilibrium in the global marketplace. By building collections of Chinese contemporary art now, and continuing to patronize Chinese artists in the same way the Medici family did in Renaissance-era Italy, Li feels that Chinese art can reach the Chinese people themselves by building a new form of aesthetic education while stemming the flow of artwork out of the country.

Artxun (Chinese) posted the entirety of Li’s speech today. Translation of excerpts by ChinaLuxCultureBiz team:

Collection is a kind of cultural creation, and in collecting contemporary art one must face value standards, but value standards in a progressing era are of a very uncertain ideological form, and collectors — through their behavior — have to confirm whether they’re actually qualified to become the builders of value standards in the era in which we live. Every major collector who made an important contribution to art history, such as the Renaissance-era Medici family or the Guggenheims, Ludwig II…the famous American and Italian Guggenheim museums, and Germany’s Ludwig Museum — named after these collectors — because of these people and places collecting artwork, some of these works of art have become critical elements of art history.

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Global Collecting Forum Held In Beijing

Forum Provides Opportunity For Western, Chinese Collectors, Curators And Artists Come Together To Discuss Future Of Art Collecting In China

Western and Chinese experts discussed a wide range of important issues in art collecting at the Global Collecting Forum in Beijing (Photo: CRI)

Western and Chinese experts discussed a wide range of important issues in art collecting at the Global Collecting Forum in Beijing (Photo: CRI)

Although the last few years have seen the rapid rise of the New Chinese Collector of contemporary Chinese art, the relatively late arrival of Chinese collectors means that the vast majority of major works of contemporary Chinese art remain in the collections of Western art collectors (such as the former Swiss diplomat-turned-prolific collector Uli Sigg, who owns around 2,000 pieces) or Western art museums and galleries. Although buying trends are changing, as more Chinese collectors and curators start to bolster their collections and diversify the artwork they acquire, one of the unique challenges that art lovers in China must face is the dearth of contemporary Chinese artwork available for view in their local museums and galleries.

With these issues — the underdevelopment of Chinese art museums and the growing interest in private art collection in China — in mind, this weekend the Global Collecting Forum was held at Beijing’s Reignwood Theater. The forum brought together a number of prominent Western and Chinese art collectors, museum curators, gallery owners and artists, whose work was shown at an exhibition which included pieces by prominent Chinese artists like Cai Guoqiang, Xu Bing, Liu Xiaodong and Wang Guangyi. According to Cultural China:

[Chinese writer-filmmaker Sun Shuyun], who was a guest at last year’s ISD forum, has met some of the world’s best-known art collectors and museum directors there. But she was somehow left with the impression that many of these “leaders of art collecting actually knew very little about Chinese art.”

The situation is expected to improve as this year’s forum brings over 30 leading art experts from Europe, the United States and Russia to meet with their Asian counterparts in the Chinese capital. Those set to show up include Baroness Kennedy QC, a trustee of the British Museum; Alexandra Monroe, senior curator at the Guggenheim Museum; and Derek Gillman, director of the US-based Barnes Foundation, a top collector of Post-Impressionist paintings.

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Preview: ‘China Design Now’ Show In Portland

Exhibition From London’s Victoria and Albert Museum Puts Contemporary Chinese Design Front And Center

"China Design Now" is an excellent introduction to the world of contemporary Chinese design and visual arts

"China Design Now" is an excellent introduction to the world of contemporary Chinese design and visual arts

Over the last 30 years — but mainly in the last 10 — Chinese contemporary design has roared to life, leading to unique and culturally resonant architecture and striking visual arts. Beginning this week, this vibrant design will be on full display at the Portland Art Museum‘s “China Design Now” exhibition in Portland, Oregon, giving visitors a glimpse of China’s rapidly shifting design industries while providing them a good cross-section of the tectonic cultural shifts that have awakened that country’s creative energy in the 21st century.

From The Oregonian:

“China Design Now” will hurl visitors into the here and now of contemporary China, with all of its huge-scale cultural energy. The giant isn’t sleeping anymore. It’s wide awake and roaring. And “China Design Now” attempts to nail down the elusive contemporary moment of this restlessly moving target.

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New Figures On Mainland Chinese Spending Bode Well For Luxury Retailers

Pao Principle Study Shows That Luxury Market Has Less To Fear In The Next Year Than Expected

"Tiffany is King" in mainland China, according to Pao Principle. Tiffany opened boutiques in Beijing & Shanghai in 2006

"Tiffany is King" in mainland China, according to Pao Principle. Tiffany opened boutiques in Beijing & Shanghai in 2006

With luxury retailers looking for any good news in a still-tough market, studies by several organizations in recent months have shown that things are a little less ghastly than expected, particularly in Asian and other emerging markets. The newest of these studies, carried out by business consulting firm Pao Principle, indicates that recent spending trends in mainland China should please luxury handbag, watch, and jewelry producers.

From Travel Agent Central:

According to…Pao Principle, almost 90 percent of individuals surveyed had bought a designer handbag in the past 12 months. Unsurprisingly, men accounted for luxury watch purchases at a ratio of almost two to one over women.

Out of those surveyed who had purchased fine jewelry, Tiffany was king, with almost a third of Mainland Chinese who had purchased fine jewelry in the past 12 month turning to the store for their wares.  Necklaces were the accessories of choice, with “white gold” reigning supreme in overall jewelry purchases.

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Interview With Chinese Contemporary Artist Zhang Xiaogang: Recording the “Relics of Life”

Excerpts Of Chinese Art Blog Artron’s Interview With Zhang Xiaogang Shed Light On His New Exhibition, “The Records”

Zhang Xiaogang feels the art environment in Beijing is worlds away from that of New York

Zhang Xiaogang feels the art environment in Beijing is worlds away from that of New York

We recently profiled Chinese contemporary artist Zhang Xiaogang’s new exhibition in Beijing, which breaks dramatically from his earlier work by incorporating sculpture and mixed media pieces. Last week, China-based art site Artron (Ya Chang Art Network) sat down with Zhang to discuss the new direction his art is taking, and the ways that the rapidly-shifting Chinese culture affects his creative process as well as his views of the American and Chinese art worlds. 

Ya Chang Art Network: What’s the basic idea behind this new exhibition? 

Zhang Xiaogang: Actually, the idea is basically to “revise” a continuing exhibition. But this idea is one that I’ve paid pretty close attention to for several years, like I have with topics related to “memory.” The people’s lives are changing quickly, so now we’re facing our memory and our memory loss, which all results in a number of psychological reactions associated with these and other matters. So it seems that by creating pieces concerned with memory — since our lives are changing so fast, resulting in a constant loss of our memory and nostalgia, which begins at a very young age — it all comes back to how I was always concerned with the idea of memory, an idea that has concerned me even more in recent years. 

In the past a series regarding “memory and starting to remember,” then a series about “inside and outside”, later became “amendment” in my new works — the new works are a deeper continuation of the old works. I hope to continue this theme, to a relatively deep degree, to see if there are any other possibilities. This is the basic idea [of this exhibition].

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